I am continuing to explore the very small world of N scale work this month. I had received a special request for an Adobe house in this small size and, once immersed in the scale, I decided to take the time out to try something I have been wanting to do for quite awhile. . .
Faroe Island Fairy Houses
The houses are made of scale model clapboard siding, polymer clay stone foundations, rooftops and chimneys ( not many actual stone chimneys to be found in the islands but I made the concession for my little "fairy" Faroese houses!) and N scale windows, doors and, of course, tiny sheep!
The Faroe Islands are found between Iceland and Norway in the North Atlantic Ocean. 18 islands make up this archipelago and the population is just around 50,000 total with several islands inhabited by less than 100 people. Now, those of you who know my preference for solitude, nature, a lack of hot weather and less-of-humanity-in-general may see why this is, in my opinion, a virtual paradise.
And the traditional HOUSES! Oh how I fell in love with these as a child while pouring through an encyclopedia (remember those?). The following is from faroeislands.com
The Faroese HousesThe
grass roofs are probably the first things you notice, and these have
been a feature of the houses since the islands were first settled. In
the Viking Age farmhouses had curved stone walls and the roof was
supported by two rows of posts in a large common room with a longfire in
the centre. Along the outer walls benches or seats were placed, a
Faroese home today is still called a sethús (seat house) after these
seats. And there is a good reason that the ancient name has survived,
for on the Faroes the original longhouse lasted longer than any other
place in Scandinavia. The house, with its protecting
stone walls and the large grass roof, gradually developed into the
traditional Faroese dwelling with the stall at one end, in the middle
the smoke room with the working and sleeping areas, earth floor and the
open fireplace with the louver in the roof as smoke outlet and light
intake. At the other end of the house was the glass room, the farmer’s
fine parlour with windows and jamb stove. Inside the smoke room and
glass room there were vertical planks set in a groove between the posts
and sills.
This is the same construction that was used in the
historic Norwegian stave churches, but in tree rich Norway the stave
constructed houses were gradually replaced by the shorter loghouses with
horizontal logs. The stave constructions, which required less wood
continued in the Faroes until the beginning of the twentieth century.
Gradually the stonewalls were replaced by wood, except perhaps in the
ends of the houses oriented against the fiercest wind direction. From
this originated the classic Faroese house a low and small longhouse,
tarred brown or black with white painted mullioned windows, blending
into the terrain under a large grass roof.
The churches were
built in the same way. They were modest buildings, not much bigger than
the other dwellings, but with a distinct difference: the little white
bell tower, placed parallel or diagonally over the ridge of the roof.
The inside of these churches are like chests made of untreated timber.
All the designs are visible and simple, but every detail has its own
special carving or image and the chancel wall, the half open wall
between the nave and the choir, received the finest treatment.
Times
changed and with the development of sea fishing new kinds of houses
appeared. The longhouse was superseded by a more refined house on a high
basement, and with dormers in the attic, but still tarred and with
turfs of grass over a layer of beech bark. Then came fervent
individualism, corrugated iron was placed as protection on the outside
of wooden boards and together with the corrugated iron came paint in
many colors. This colorful individualism has become respected through
the years and even the authorities have supported it in later years,
most directly in some experimental construction with individually built
terraced houses in the northern part of Tórshavn.
The painted
roofs dominate, but you can still see new buildings with green grass.
The most important of these is the Nordic House, where, as in the older
dwellings, the roof lies over the house like a protecting wing and
enhances the lines of the landscape. The grass still has something of a
symbolic meaning and maybe it is a type of nostalgia when it is used on
private houses. On the other hand it is a living material, which
insulates and protects and requires very little maintenance. It also
follows the beautiful seasons of the year and paints itself: brown in
the autumn, white in the winter, burgeoning light green in the spring
and lush green in the summer.
Yes, this is a place I imagine to be populated by more fae than humans. . . do an image search for the islands and you'll instantly see why. :)
These will find their way into the shop soon but I am finishing a Faroese church before listing all three pieces at the same time.
Thanks for looking!
nicolas
