Five Words for 2018 - First Friday Post - January 5th

Happy New Year to you all! I hope the first days of the year have been bright and inspired in each of your worlds. :)

Over the years I've had quite a few people ask about the words I choose each New Year as my focus words for the coming 365 days. Thinking of it again of late, I have been more focused on exactly how that process works and the answers were a bit surprising to me,  so I thought I would share them here with you as well as the words that I've chosen for 2018.

I tend to not spend too much time choosing the words each year. At least, not right at the end. I start thinking of them early in December and by the last days of the Year, I pretty much have the new words settled on.

What I discovered this last week or so as I thought about 2017's words was that the words really reveal themselves to me and I learn the most about them in relation to myself at the END of the year!
All year I DO see them above my calendar or on my desktop and I take time with them all at some point, maybe picking one for a day to really focus on or apply. But it is at the end of the year, when I am looking back, that I seem to find how those words worked for me or what I learned over that year as it pertains to them.

Last year, one of the words I chose was "Vagary".  Strange word, right? It is. . . and I chose it for it's more archaic definition which I only discovered as it was Merriam Webster's word of the day sometime before and it just sort of stuck with me in the back of my mind.

"In the 16th century, if you "made a vagary" you took a wandering journey, or you figuratively wandered from a correct path by committing some minor offense. If you spoke or wrote vagaries, you wandered from a main subject. These senses hadn't strayed far from their origin, as vagary is probably based on Latin vagari, meaning "to wander." Indeed, in the 16th and 17th centuries there was even an English verb vagary that meant "to wander." Nowadays, the noun vagary is mostly used in its plural form, and vagaries have more to do with unpredictability than with wandering."

I chose the word hoping that it's own wandering in the sense of it's definition over the years might help remind me to wander in my creative journey. To stray from the well worn path. To pay attention to, or think back on, my own wandering journeys in life. Maybe even to be a little more unpredictable creatively. So how it affected me on any given day I cannot recall BUT I know that as I spent time over this last week of the year looking back, I DID practice and invoke vagary and I can see how the wandering I did in my creative work paid off.

My life, I came to see, has been one great adventure in vagary. Changing careers four times, each by choice even when things were just fine in the previous ones. Striking out on the cusp of 40 years old to begin an art practice/Etsy shop by taking up a new medium of polymer clay. Moving across the country on a gut feeling just before I turned 24. Living in a big city til then, then a small town, then onto another big city and now a small town again.

Yes, I've wandered. Strayed from the path. Practiced vagary before I even knew the word had that older meaning.

So in realizing that these words seem to etch themselves deepest at the end of the year, I decided to choose five words for 2018 and went with simpler, less archaic choices. lol

Because these are words I might easily overlook in that search for a little pizazz. (Ooooooh wait. . . pizazz. . . hello word for 2019!)

For 2018, I chose these five words:

Challenge - challenge myself to try new creative ideas, follow inspirations, push forward on my bigger long term goals, stretch my comfort zone into the difficult and uncertain creatively and challenge myself to venture into realms not yet explored in myth, fantasy and sci-fi reading. 

Value - Value my work and my time. I have often undercharged for just about everything I've done in life at some point or another. I forget, when say we are speaking of custom orders, to factor in the time spent communicating, planning, looking for materials I need and trying and retrying techniques etc. Maybe it's meant to show me how to value my time by accepting fewer commissions so I can do even more of the work my heart wants to do. I've also recently begun donating to funding art projects on kickstarter. I'm learning to discern value of what I give to there as well since I cannot donate to everyone I would like to. 

Whimsy - Sofie laughed at this one because, really, do I need a reminder of this? lol But yes, I do, and in this case I am thinking most of my writing. Finding the balance between a good, emotive and large scale story and the magic of a fantasy world. A small example: It's all well and good that I've included the plausible use of messenger birds for long a distance/expedient message delivery system but where's the whimsy? Ahhhh, so then I decide that these are "honey guides",  birds who find their way home or to another location based on a particular scent/strain of honey that they are conditioned to seek out and identify. And they have small quivers on their backs to carry the messages. There are real "honey guide" birds in our world though they are not messengers. . . all I did was stretch the truth a bit there to make them more homing pigeon-like if one could train them to discern the various scents of the honey over distances. :)   So yes, finding whimsy around every corner in the year to come. 

Organization - OK, yes. . . Boring! But boy could I use a bit more of this. Work space, packing room, notes and ideas, recipes, you name it. I tend to let things get a bit too in disarray before I tackle them and that's never fun.

Routine - As in a more monastic sense of the word. Monasteries have always fascinated me no matter the type or the belief. I've spent time in a Zen monastery here in the NW though I am also drawn to the Benedictine rule and Franciscan sects and the schedules they keep. Now if the pslams and vespers were say, writing and creating time instead, I'd be in a robe faster than you could blink an eye!!  The simplicity of the life and the repetition of it is what draws me.  I need it to be my most productive.  Work periods, meal periods, end of day etc. Not so regimented that there is no room for spontaneity but certainly most days, most weeks, and most hours are best filled with that scheduled intent for me. 


       So what will those all bring? Well I hope to share anything along the way if it pops up but it will likely be the end of 2018 before I can look back and assess all the little things that came to pass under each heading.  Once, in the Zen monastery, I was sent out into the world after a weekend retreat with a task. To pick a location and watch the entry door of said place for a few hours. Just to observe how people reacted and related to that door. It seemed pretty Zen and I expected to not "get it" because, you know. . . Zen.

None of the openings of the door were memorable in and of their own BUT, at the end of the day, the cumulative effect was very striking. I saw such a variety of ways people approached the door, how close they got before grabbing the door knob, if they were regulars I could tell because the door had a "hitch" to it, the doorknob was rickety and lower down on the frame than normal. Also, the door opened in and not out as most non-regulars seemed to expect it to. I saw how some people held the door for others while some were so in their own heads they didn't notice the person right behind them. I noticed people approach confidently or with a strong step and others cautiously and tentative as if the door might bite. . . And on and on. All of that from observing a door over a period of time.

So that's how I find the words work best. Over the long haul. I don't expect an enlightening occurrence any one time I choose to focus on a word. But 12 months from now? We'll see. ;)

Next month I will be back to my usual First Friday post showing new work.

Thank you for coming by, as always,

nicolas

Stories Moving Forward

I've been creating stories all my life. Since I was a child really.

At 11 or 12 I had two of those old Radio Shack single cassette players and I would write scripts for plays or stories and then, going line by line, I would record them by first speaking one line into one tape player then, stop, press record on the second while pressing play on the first, and then adding the next line of dialogue after the first tape played. And so on and so on for the entire length of the story. I'd do all the voices and all the narration. Even feeble attempts at singing improv theme songs on occasion. lol  :)

Now, all these years later I found myself really feeling ready to create a book of short stories, or at least several small zines, that are centered around the worlds I have built thru and alongside my Etsy creations the last 6 years.

The Bewildering Pine
The Ledgerkeepers
Kitsurada: Land of Foxgoyles
The Troll Troubles
And many more

But as an adult, there are new challenges. Mostly an uncontrollable tendency towards self editing and doubt. Uncertainty about how to build a complete world because, after all, I am not 11 and I see the holes where they should be and what I have YET to create to make these stories work.

So how to get started?

Well, 10 days ago I began searching for that help.

It came in the unexpected form of a 30 day writing primer called the Fantasy WorldBuilder Guide. Thirty short exercises to help you start to flesh out and think about those things that make a "world" complete. Everything from climate and political atmosphere to, of course, the map, timeline of historical events, the people, the languages etc etc. Now I have seen these in one form or another before but none felt as helpful as this. In part, it helped me realize I HAVE thought of much of this but, the truth is, I am ready now and committing to the 15-30 minutes a day to do the work.

And the guide has sent me off in research directions I never would have thought of due to the links, ideas and great summaries about each section/exercise.I can't explain why but I recognize the difference in this guide is that it really allows you a range of investment. 15 minutes is all they ask and it's fine if that's what you want to spare but, if you are game, it is easy to se how an hour or more each day can be spent deepening the daily ideas on your own.

I have, I would say, doubled my world's depth in the first 10 days this way.

What the old world language is, what the trade and commerce and resources of the world are, how exactly my world's magic works, what the major conflicts have been (and I have to say, I am intent on writing a non-violent story/stories, so, that came with it's own interesting challenges!)

Best of all, the pieces I already had have started falling into place. The map being further and further fleshed out. The characters and types of creatures and myths. . . it's been truly exhilarating thus far.

20 days to go.

After that I will get back to the start again and go thru it once more, for 30 more days, and expand it all some more. I have plans for a large wall sized timeline/map/storyline to begin to be able to visually, in one place, see it all. And then,of course, time to start filling in the stories.

At this point, I am partial to a first book of short tales, sort of like Shaun Tan's "Tales From Outer Suburbia."  and I know that the last tale will be either the lead in to a second book of shorts or, the basis for a larger novella to follow. It is, If I can say so myself, a very good "hook". :)

Many of you know I am completely invested in the idea that stories are what creates demand for what we produce. Be it organic produce, fairy houses, quilts, handmade books,  masks, jewelry, etc etc. And we ALL tell our own tales our own way so I never think anyone should follow my lead if it isn't their thing. . . but I would also recommend a perusal through Austin Kleon's newest book, "Show Your Work" , where he says,

"Artists love to trot out the tired line, “My work speaks for itself,” but the truth is, our work doesn’t speak for itself. Human beings want to know where things came from, how they were made, and who made them. The stories you tell about the work you do have a huge effect on how people feel and what they understand about your work, and how people feel and what they understand about your work effects how they value it.

You should be able to explain your work to a kindergartner, a senior citizen, and everybody in between. Everybody loves a good story, but good storytelling doesn’t come easy to everybody. It’s a skill that takes a lifetime to master. So study the great stories and then go find some of your own. Your stories will get better the more you tell them."

I, of course, agree totally with this as I feel my stories are as much a part of my ability to make living as a maker-of-things as anything else. Second only to never being satisfied with "good enough" and going all out in every way I can to make the buying experience wonderful for the recipient. 

So maybe that is what has held me back in writing these new, larger stories. It's a total package for me and I do not think I believed I had any idea how to create that complete world with just stories and illustrations.  Or perhaps it was just that I couldn't find the start line among all the floating pieces? 

Well, the 30 day exercise certainly changed that so I want to recommend it to anyone who has any sort of  make believe/fictional world you want to enrich and any stories you want to tell. You can find the exercise and thru it, many wonderful links to other great resources, here:

http://www.web-writer.net/fantasy/days/index.html

And to close, just a little peek into two new pieces for you all today too!

Happy day to everyone and I hope the magik of Spring (or Autumn if you are down under) is shining brightly in your world and in your hearts!

xo

nicolas

Another colorful version of what has become quite the popular item. And the flowers just keep getting more out of hand! :) 

A blue-roofed Enchanted Tower seemed a nice change of pace. I want to play with different roof colors this summer.

Hero

A wonderfully creative blogging friend of mine has issued an intriguing challenge thru her blog. Once a week she chooses a single word for a theme and asks her followers to create something. . .  just one little thing. . . no matter how small or incomplete, that sums up that word of the week.

It's the kind of challenge I love and have decided to approach it as a way to fill out the cast of characters for our own little paracosm of Bewilder and Pine. So, when I saw the word for this past week was "Hero", I knew exactly where the theme was going to go.

What came from that word and the inspiration was this little guy. . .  Moxley Wynn

Isn't he a total cutie?

Heroes come in all sizes, of course, but little Moxley has a very large presence around here.

It's going to be reallllly hard to part with this guy one day.

So, little Moxley Wynn is inspired by a lifelong love of mouse/heroic characters from a variety of times and places. Starting with a nostalgic soft-spot for Mathias and Abbot Mortimer from Brian Jacque's "Redwall" on up thru the recent comic book phenomenons "Mouse Guard" and "Mice Templar". The mouse, as the underdog. . .  as the hero. . . it always just seemed to make perfect sense to me.

Moxely is just the first of the Forest Guide Mice I will be making. He is crafted from polymer clay and armature wire and hand-painted. His staff which comes from the magical woods of our local forest haunt, Kilchis Point,  features a little hanging polymer lamp and a few tiny polymer acorns too. A little lichen and fishing line whiskers really brought him to life.

The best part of having just a week to make the piece is I can't over-scrutinize and worry about how  each detail looks without just diving in and making it.

So HUGE thanks to Nichola and her wonderful and inspired idea!! I look forward to the next. :)

Hoping that you all have a little hero like Moxley to help you find your way "home" creatively.

nicolas