In my paracosm of childhood, amulets had such power. Luckily, my mother was a lover of costume jewelry so I had oodles of fun things to create stories around and that she did not mind me "borrowing" for my imagination's sake.
So lately I have been realllllllly wanting to create amulets that will hail from the "Bewildering Pine" world to offer in Bewilder and Pine as well. Of course, the fun is in the making and creating of the "ancient" stories to go along with them.
Now, for the finished product, I envision setting up a very dark, apothecary shoppe look and feel for the photography where I would display the amulets in their magic boxes and with their scrolls of authenticity etc etc.
But the amulets are where I am beginning and below is the first iteration of one of them. A simple polymer piece with an iron rust patina. aged and mysterious. This one, I believe, would ward off
nightmares and keep the wearer safe from dark ogres and malevolent shapeshifters.
|I love the aged patina look and the mysterious golden symbols inscribed. It feels magical to me even at this early stage.|
|Sort of a nightmare capture device. The box shape and the hole in the middle to lure the nightmares within. Woven with repellent spells to ward of all of those other nighttime creatures too. Could have used this as a child! :)|
I have to remember, sometimes, that what inspires me most is making what I truly want and love, and that only those things really inspire me and refresh my soul. : )
Thanks, as always, for believing!
PS, I've been inspired this week by a book about Stonehenge that I have been wanting to read for awhile. It goes into detail about the larger community of sacred circles around the Stonehenge site and how the key to unlocking so much of the mystery seems to have come thru the ancient belief that stone circles and monuments were for the dead while wooden/timber circles and monuments were for the living.
For years it was believed that Stonehenge was an anomaly, an enormous monument sitting all alone on the Salisbury plain but, in the last 15 years, research and new digs have shown that to be anything but true. This is very inspiring to me. . . time keeps revealing the secrets of the dead and the idea of certain materials being linked to the living or to ancestral dead is so remarkably simple to me.
I was fortunate enough to visit Stonehenge in the late 80's and remember it as if it were yesterday. A cold, rainy Spring day with only two other people around the entire time I was there. Those stones in that setting, even with the modern highway that runs beside it. . . only the Badlands of South Dakota have ever given me the same feel. Ancient, magical. . . eternally alive with unending stories to tell.