I haven't written anything here for some time.
This is not out of a lack of ideas or content. . . it is more that my brain has been overloaded with thoughts.
Creative ideas
Reflections
Nostalgia
Memories
Possibilities and questions
It's autumn. . . or close enough
My mind does this at the end of every summer as it has since the days of grade school.
It's like fall is a reset button in my soul.
I find myself purging old thoughts and attitudes
My eyes open to new things and something in me seems to connect with the faltering of summer
and the transformations of fall.
It's the beginning of my creative season too
Following the warmest season which always seems to leave me in a fog. . .
And this year, on top of it all, I find myself thinking more about the possibility of whether there is a divine plan to it all
My life has had more than it's share of turning points and moments I can only describe as "guided"
All along, since I was 7, possibly earlier, I've felt the presence of other forms and entities around me.
Voices have, literally, saved my life
Imagination too has been a saviour of sorts
And I've gone off course before over the years
Only to pulled back by luck, fate, timing, circumstance. . .
Call it what you will
It comes along with the cycle of seasons too. . .
And life as one big cycle, is fulfilling that as well now
In the summer of my life, the fog all around me, I lost the way
Not completely mind you
But I read the signs wrong
Missed the opportunities to advance and grow
Or perhaps, I was just "biding my time"
Now, the autumn of life is here for me
The years are past their brightest and fullest point
this, I expect, is a very good thing
The fog is clearing
The voices and dreams are returning
I am on course again
Finding the strength to stay steady
Is a daily challenge
And so I come back to imagination
As I always have
The worlds I invent
Are what keep me in reality
As I create it
Walk through it
And disappear
nicolas hall
Showing posts with label sharing. Show all posts
Showing posts with label sharing. Show all posts
Monday, September 10, 2012
Thursday, August 30, 2012
Counting Days
I watch the first line come into view out of the heavy coastal fog and I count them
9
They pass and this is followed by another line
7
Moving as if attached to an invisible cable.
Moving as a rollercoaster might as it passes over undulating hills of wooden track.
12, 7 , 15. 4
Each appears out of the gray, rolls up and down along the shore, dipping above and below the break of the waves then banks at the rise of the jetty and moves out towards the open ocean.
I want to be closer.
I want to hold this moment
Suddenly the two longest lines of all
33
and
21
Back to back
All move along the same path and all emerge and fade into the fog covered abyss.
I have never seen so many pelicans in my life
These are surely one of the most graceful and beautiful of birds
People think of them as awkward and big because we judge everything by the same standards we defeat our own kind with.
These are magnificent aerial angels who move with the design of the sacred
They do not subscribe to, and are untouched by, our small thoughts and limitations
To watch them is to be transformed too
But I want to be closer
I want just a minute more to commune
6, 12, 5
Later that day we walk to the bay at low tide
I am still thinking of the pelicans
I know we will see gulls, cormorants, herons and geese
And they are all magnificent
But pelicans. . .
We walk along the exposed mud flats and, around the turn of the bay, we see the sun illuminating gulls resting on the shore
And among them, as we draw closer, the Pelicans are here too
Dozens
Bathing
Sitting
Waiting
A wish answered
This day will never come again
I number it as well
One to remember
-nicolas hall
9
They pass and this is followed by another line
7
Moving as if attached to an invisible cable.
Moving as a rollercoaster might as it passes over undulating hills of wooden track.
12, 7 , 15. 4
Each appears out of the gray, rolls up and down along the shore, dipping above and below the break of the waves then banks at the rise of the jetty and moves out towards the open ocean.
I want to be closer.
I want to hold this moment
Suddenly the two longest lines of all
33
and
21
Back to back
All move along the same path and all emerge and fade into the fog covered abyss.
I have never seen so many pelicans in my life
These are surely one of the most graceful and beautiful of birds
People think of them as awkward and big because we judge everything by the same standards we defeat our own kind with.
These are magnificent aerial angels who move with the design of the sacred
They do not subscribe to, and are untouched by, our small thoughts and limitations
To watch them is to be transformed too
But I want to be closer
I want just a minute more to commune
6, 12, 5
Later that day we walk to the bay at low tide
I am still thinking of the pelicans
I know we will see gulls, cormorants, herons and geese
And they are all magnificent
But pelicans. . .
We walk along the exposed mud flats and, around the turn of the bay, we see the sun illuminating gulls resting on the shore
And among them, as we draw closer, the Pelicans are here too
Dozens
Bathing
Sitting
Waiting
A wish answered
This day will never come again
I number it as well
One to remember
-nicolas hall
Labels:
birds,
imagery,
inspiration,
nature,
ocean,
oregon coast,
pelicans,
photography,
poem,
poetry,
sharing,
writing
Monday, February 27, 2012
Sharing the Wealth
The idea of sharing what one does creatively is extremely unnerving to some and even crippling to others. Sharing our work, our art, is a very intimate and revealing experience. The number of people I have known who were amazingly talented creatives who didn't feel comfortable sharing their paintings, drawings, poems and songs is in the hundreds. Even people I knew for years. . . suddenly one day I find out they are oil painters or poets with so much beauty hidden away in under the seams of their ordinary lives.
Of course, once we make the decision to share and to offer it up to the universe, there is a whole new set of concerns. It seems, with the advent of e-commerce, the problematic issue of "copying" has hit an epidemic proportion. And I am not so sure it is an epidemic in terms of the reality of it as much as the perceptions many people hold as to what copying is.
Back in the days of craft shows and art festivals, which I did many of with friends who were not as comfortable in the public eye talking up their work as I was, I heard this line all the time:
"Oh, I could make that!"
And I bet that those words are now uttered tens of thousands of times a day in the privacy of browsing from our e-homes. Everything is more visible. More accessible.
Even in those days it was infuriating to some to think that people would come to these fairs, look through their work and then go home and try to copy what they had seen.
It never bothered me. Of course, it wasn't MY work they were going to try and copy but, if my years and wealth of human experience in the service and coffeehouse industries have taught me nothing else. There are two types of people, those who talk about what they are going to do and those who actually do what they say they are going to do. The latter is definitely the minority.
I believe in sharing what I do and yes, I am trying to carve out a living doing it, but that has only served to make me less concerned about the copiers. Most of whom have no idea how, or no intention of, making a living with their art (or mine).
I believe in sharing my creations because I know deep down that I have brought incredibly original work into this world that is very hard to replicate. Even if the techniques are there, the materials and the desire, without the SOUL that went into it there is no way they will succeed.
And, if someone wants to try, I am truly not bothered by it. That said I will flip out if I see someone copying another artist I admire or know personally. Go figure! Just as I have sent my share of "Have you seen this?" emails to sellers who have had their work "borrowed" I would expect that I would receive the same in return.
I am at a loss often to understand what some people think is copying. With my work, I feel that I cannot copyright French country buildings or surreal landscapes or Egyptian statues or Fairy houses or even the shape, color and composition of these things individually.
I believe the true originality is in the whole package. The story I create with many of them. The presentation and the style that evolves over hundreds of attempts, successes and failures.
My shops have developed, I feel, a style reflective of my soul.
No one, in my opinion, can touch that.
And if someone tries to copy THAT, oh I will definitely be in touch with them.
But not over a pattern or a color scheme or a title or a tag or a theme.
I didn't invent any of that. It was already out there.
As are 99.9% of the things we deem to be a part of our own art.
It's what we create with it, from within, that gives it uniqueness.
And isn't it better to put the time and focus into making what we do better?
Growing it beyond a pattern or a technique?
I, personally, would rather spend my hours sharing that with the world. . . freely. . . and hopefully having it touch and inspire others inside as well.
Thanks for reading. . .
nicolas
Another view on Sharing by fellow etsian artist Viktoria can be found here:
http://artisansgalleryteam.blogspot.com/2012/02/to-share-or-not-to-share.html
Of course, once we make the decision to share and to offer it up to the universe, there is a whole new set of concerns. It seems, with the advent of e-commerce, the problematic issue of "copying" has hit an epidemic proportion. And I am not so sure it is an epidemic in terms of the reality of it as much as the perceptions many people hold as to what copying is.
Back in the days of craft shows and art festivals, which I did many of with friends who were not as comfortable in the public eye talking up their work as I was, I heard this line all the time:
"Oh, I could make that!"
And I bet that those words are now uttered tens of thousands of times a day in the privacy of browsing from our e-homes. Everything is more visible. More accessible.
Even in those days it was infuriating to some to think that people would come to these fairs, look through their work and then go home and try to copy what they had seen.
It never bothered me. Of course, it wasn't MY work they were going to try and copy but, if my years and wealth of human experience in the service and coffeehouse industries have taught me nothing else. There are two types of people, those who talk about what they are going to do and those who actually do what they say they are going to do. The latter is definitely the minority.
I believe in sharing what I do and yes, I am trying to carve out a living doing it, but that has only served to make me less concerned about the copiers. Most of whom have no idea how, or no intention of, making a living with their art (or mine).
I believe in sharing my creations because I know deep down that I have brought incredibly original work into this world that is very hard to replicate. Even if the techniques are there, the materials and the desire, without the SOUL that went into it there is no way they will succeed.
And, if someone wants to try, I am truly not bothered by it. That said I will flip out if I see someone copying another artist I admire or know personally. Go figure! Just as I have sent my share of "Have you seen this?" emails to sellers who have had their work "borrowed" I would expect that I would receive the same in return.
I am at a loss often to understand what some people think is copying. With my work, I feel that I cannot copyright French country buildings or surreal landscapes or Egyptian statues or Fairy houses or even the shape, color and composition of these things individually.
I believe the true originality is in the whole package. The story I create with many of them. The presentation and the style that evolves over hundreds of attempts, successes and failures.
My shops have developed, I feel, a style reflective of my soul.
No one, in my opinion, can touch that.
And if someone tries to copy THAT, oh I will definitely be in touch with them.
But not over a pattern or a color scheme or a title or a tag or a theme.
I didn't invent any of that. It was already out there.
As are 99.9% of the things we deem to be a part of our own art.
It's what we create with it, from within, that gives it uniqueness.
And isn't it better to put the time and focus into making what we do better?
Growing it beyond a pattern or a technique?
I, personally, would rather spend my hours sharing that with the world. . . freely. . . and hopefully having it touch and inspire others inside as well.
Thanks for reading. . .
nicolas
Another view on Sharing by fellow etsian artist Viktoria can be found here:
http://artisansgalleryteam.blogspot.com/2012/02/to-share-or-not-to-share.html
Labels:
a,
AGTeam,
art,
creativity,
imagination,
life experiences,
sharing,
writing
Subscribe to:
Posts (Atom)