Work In Progress: January 20th

In progress. . . the story of my daily creative world. : )

I'd be the very first to say I usually have far too many things under construction at any one time.  I will, on any given day, have 10-20 pieces in some stage of completion or design. I'll usually. . .  well, sometimes. . .  prioritize custom pieces but, after that, what I work on on any given day is really just what I feel like working on.

This is not always the best course of action, admittedly. There are days where my actual "work space" is down to about 6 inches square and I am surrounded by pleading eyes and waiting limbs and moss-less houses and half sculpted creatures!

I'm really trying to be a bit more con top of that and I think showing some of my in-progress work each week will help me push things thru instead of setting them aside for long periods while I get blissfully lost in the newest projects and never-ending inspirations!

So. . . some new things on the work table this week! Just wanted to share these as they are in progress and I'll update them when they are all complete. . .

Fairy Belles - These are the new iteration of something I tried two years ago but never really liked the results.
They actually have a jingly little bell in the hollowed bottom of the figurine that can be rung to summon fairy magic!

Two figurines in process. I've decided to focus on a feature story for my Bewildering Pine World that includes creatures known as Hobs ( like the little fella on the left) and Grimalkins ( the familiars of Hobs, as seen on the right) 

The Hob above (no name as of yet) will have a very dapper Victorian waist coat and tie and likely a bowler hat that he will be doffing! The Grimalkin (also as of yet unnamed) will look like the larger, completed one in the next image. 

Grimalkin is an old English archaic word for a cat! I love the Pewter finish and the claws that will match the eye color.

This is how I make the Fairy things on Stars! This one will become "Theia Straedoor's Tart Cart" on a Star with
mossy roof, stairs and fences, cooling table for the special, tiny Joonberry Tarts and the usual trees and landscaping!

And one recently finished addition to my Foxgoyle/Land of Kitsurada story/world. 

A mythic Kitsune, 9-Tailed Foxgoyle! 

Her name is Okudara and I think she's quite the creature!

So that's what's cooking here! Hope you are making magic today in your world too!

nicolas

Loss and Gain - Inspiration

This week has seen both. . .

It is almost impossible for me to imagine the world we live in without David Bowie.  He's just always been there. . .  the thin white duke. . . the man who fell to Earth. . . Major Tom.

He taught us to dance under the serious moonlight. . .

It's taken me three days to figure out what I'd like to say because I wanted to offer something meaningful and heartfelt. Something to sum up his place in my own world. What I can think of is this. . .  Growing up we all had this small window of time when, for most of us, music was just this magical thing that was a part of our world. Before we knew of radio stations, MTV, Concert tours, the business of it, the sometimes disfunction and self-destructive tendencies of it, the money and politics of it.

A time when it really was just pure sensory bliss.

For me, there is no other artist that sums that time up in my life like David Bowie. Songs like Starman, Rebel Rebel, Changes, Golden Years, Jean Genie, Young Americans and Fame were all over the radio stations and became the soundtrack of my single digit youth. I'd often sit in my room on weekend nights at age 10 and 11 and pretend to be a DJ with my own radio station on my old red plastic record player and I'd look so forward to playing those songs in my "rotation".

There were other artists and songs that stand out, to be sure, but there was something so magnetic about Bowies songs. And in my pre teen years, getting my first look at the visual world of Ziggy Stardust or Alladin Sane. . . well I, and my hair, at least for the next 20 years, would never be the same again. : )

And I am reminded how at my first cooking job at an Italian Restaurant the gregarious dishwasher named Rudi who was literally straight off a boat from Italy, and who seemed so out of place and spoke so little English, warmed up to me and my flame red hair right away and pretty much from his first day just called me, "Bowie".

And no doubt, due in great part to that chameleon aspect of Bowies public image, I've also changed personas over the years. Reinvention is how I have always thought of it but, when one phase of my life ended, I tend to move on completely and reinvent the outer/social/expressive me to suit my new environment. Keeping the best o the past incarnations and leaving all of the rest behind. Those days are far behind now too in all likelihood but, with his passing, I am reminded of it all again.

This is one of my favorite quotes from David Bowie. It has served me well for years in many facets of my life and perhaps never more so than now. . .

"I'm just an individual who doesn't feel that I need to have somebody qualify my work in any particular way. I'm working for me." - David Bowie

And then, this past Wednesday, I received a book in the mail that I have been waiting awhile for. I know many of you probably are not very interested in the world of comics today but, if you'll bare with me, this may be one of the most wonderful art books, period, I have ever seen. 

In 2006 a friend of mine, and employee at the coffeehouse I owned then, handed me a comic and said,"I just think you might like this." That comic was the first issue of "Mouse Guard" by David Petersen.

I had not read or even considered a comic book for I don't know how long and was not prepared for the effect it would have on me. The art is, as I think the cover of this hardbound collected edition alone shows, simply amazing.

If you were ever a fan of Redwall or any animated animal series, DO check this out!!

David Petersen draws, colors and writes the entire series.

It inspired me
It lifted my soul
It righted a listing vessel which was, in many ways, my whole life at that particular point in time and it steered me back towards the possibilities and wonder of my youth. 

It was just the first of many comics I would come to love over the next few years (comics today are such a far cry from what I grew up with!)  and, whenever things felt a little dark or I lost sight of the connection between those early days of imagination and where I was at the time, I'd just pull out those issues and let them take me away again. 

Mouse Guard reminded me of my love of Redwall as a child and brought back a sense of purpose to the world I wanted to create as an adult. And, it led, indirectly and with many other little factors and influences, to what I create now. 

To this world I live in now. 

Never happier
Never more certain
Though, these past few days, a bit of sadness. . . missing Mr. Bowie and realizing time is always and endlessly marching forward for us all. . . 

“Tomorrow belongs to those who can hear it coming”  ― David Bowie

xo

nicolas

Kitsurada - Land of Foxgoyles

One of the many new projects I'm determined to set time aside for this year is the developing of a few pieces of the larger fantasy world I have been creating. Fleshing out characters, timelines and histories, locations etc etc so that, in the not-too-distant future, I can create more stories and, hopefully, complete books about them. From children's books to fantasy shorts and perhaps one good full length book/novel or two somewhere down the merry road.

I began diving into this idea at the end of 2015 to allow myself a "running start" at the mountain ahead this year. :)

The first project I chose, though I was already strongly leaning towards it in November an December, was decided by a few lovely reviews and a message I received about my gargoyles in Bewilder and Pine. The review was from a customer who purchased a Fennec Foxgoyle and custom ordered one other Catgoyle to go with it.

The note was actually from a customer who purchased one of my very first Bewilder and Pine Foxgoyles almost a year ago and who kindly wrote to let me know that she not only loved it when it arrived but, that a year on, she still looks at it every day and smiles when ever she sees it in her home.

That note came just as I was beginning the long process of creating the map you see below and, with just a bit of doubt creeping in as it tends to on any new. . . and large. . . project, it was the last little "push" I needed to allow me to dive in fully.

Kitsurada is the mythical home of the Foxgoyles in my fantasy world. I have so much to flesh out so I cannot tell you much more right now but I chose this project to begin with for two reasons. One, I LOVE maps! Old maps especially and most games I played or made up as a child included some sort of treasure map, star map, forgotten world map etc etc.

I've always made them, even in my 20's and 30's I'd doodle them here and there on napkins or scraps of paper. And I cannot fathom a fantasy novel that does not include a good, informative map! And as I may have mentioned before, the series that brought me back to rediscovering my love of comics and really, my desire to delve deeper into the makings of childhood too, "Mouse Guard" by David Peterson, first captured my heart with the lovely map of that small mouse-centered world.

The second reason is my love of the many varieties of Foxes. And the idea of making the mythical creatures of this part of the world something based on "stone magic" appealed to me greatly. 

Of course, the mythical creatures have their very own mythical creature too. . . ahh so much for reality. :) 

But this is Kitsurada. . . still very much in progress itself.

Part 16th Century Map and Part Digital art and a Lot of Imagination

This project began with an old 16th century map. Though I altered the main island, the form of it just seemed perfect and, being in the public domain, I borrowed that main landmass.  wiping it clean of it's interior, I set about adding the forests, the lakes and towns, the ring of volcanic formations, the portolan lines, compass rose and scrolls. . .  and the Japanese inspired wave pattern that runs through the oceans was what really brought it to life for me. The whale and ship are from another 15th century map and I created the Kitsu Isles to the right arranging them in a somewhat fox-like formation. :)

The volcanic spires in the sea that surround the land protect it from raiding parties of ogres and trolls making it an almost insurmountable defense. . . almost.

Each of the seven forests are named for one of the Foxgoyle Breeds that inhabit/protect the populated central part of the island. Fennec, Kit, Swift, Red, Corsac, Azaras and Sechura. There is also the mythic tale of a nine-tailed creature living on the Kitsu Isles. . . very much like the modern Kitsune Foxes.

There is a developing backstory to the foxgoyles origins and their purpose.  But what is most fun for me is that the story grows with each iteration. I just finished the first of the Fennec and Kit foxgoyles for the shop this year (see a few posts ago) and just making those has given me a whole added dimension to the story as I went along working on them.

In the end, later this year, I hope to have the Foxgoyle story as a stand alone mini-book, hand-bound and printed with map included, to offer thru the shop or as a special addition to a Foxgoyle figure.  Perhaps the book will have a mini-mini Foxgoyle to go along with it? Who knows!

Anyway, welcome to another part of my world. . . I hope it inspires and delights!

Thank you for looking!

nicolas

New Work - January 2016

“Then up he got with a light heart, free from all his troubles, and walked on till he reached his mother's house, and told her how very easy the road to good luck was.”  - Jacob Grimm - Grimm Fairy Tales

The road to good luck, in creating, is really about balance. Finding the right mix of what people love with what we, as makers, love to do. It's very good luck indeed, and very easy, to e able to explore new work and new ideas. To me, it's the very epitome of happiness. 

My first-of-the-month blog posts will be a collection of new, unfinished and unreleased work to give you all an idea of what is coming from the shops and to talk a bit about what inspires these creations too!

This New Year post, let's just stay with mostly Bewilder and Pine: The last few weeks I have been creating SO many new items and organizing a year's worth of thoughts on direction and theme. 

So to kick it off, here are the newest and latest creations!

Beginning with. . . GARGOYLES!

A Bewilder and Pine gargoyle "standard" surrounded by new Foxgoyles and a Winged Catgoyle too!

Loving the faceted Swarovski Crystal eyes for the Foxgoyles!

I've been wanting to create an entire world/story/myth around these little ones for a few years now!

Next up. . . Mushroom Houses and Fairy Towers!

These are around 4.5" tall! Another item from my "really want to create" list for a year now.

Bringing back the little potted Fairy houses with some detail additions like textured walls and rooftops!

This is a variation on my original Stargazer House just much bigger & more appropriate to the telescope and moon I think!

And this little cutie with a spin-able winged finial on top!

And. . . the TINY ROBOTS!

Making these little rusty Tiny Robots is just pure bliss!

And finally a few examples from recent work in Shadow of the Sphinx as well:

Djed Pillar - Symbol of Stability and Strength

Two different Sekhmet lioness styles. Working on the "Lady of Light" always seems appropriate for the new year!

So that's a peek at what's going on here this New Years and I look forward to keeping up with the blog and sharing more with you all soon!

Have a very lovely New Year and make it creative and blissful ALL year long!

xo

nicolas

New Year, New Directions

So, as some of you know, I have had difficulty maintaining a blog with any regularity! That's not really an issue for me for the most part since I do not really keep up or participate on any social media. No Facebook, no Twitter, no Instagram etc etc. I've always thought that, as a creative maker of things, the best course of action/promotion is to just make more things. Explore new ideas. Better my skills. Try new techniques.

But, I DO love to write and to share what I am creating. . . so I am going to make a more concerted effort to tie my blog into my shops for the first time so that customers/visitors in all of my Etsy and online shops, as well as the wonderful blog friends I have already, can keep up with what is new and what I am creating going forward. I felt this was especially important since I am taking some definite turns of direction for the year ahead in 2016.

Up until now, for the 6 years I have been creating and making my living thru Bewilder and Pine, Shadow of the Sphinx and My Antarctica, I have just allowed myself to drift from idea to idea all the while building a world within those shoppes that, at this point, I feel is now ready to move in very definite directions. But, when creating 7 days a week to meet demand for fairy houses, Kemetic statues and amulets and custom pieces of all sorts, I have often let the larger picture go due to those demands or just going wherever my heart takes me without much direction. (And I have a lot to say about that in the coming year!) This, inevitably, leads to the larger, more involved projects being started and then left to sit while the day to day creative work goes on.

What I feel I need to do now is to begin to build the world of "The Bewildering Pine" in more complete stories and finally accessing areas I have yet to explore too. I've been wanting, for a few years now, to move towards complete storytelling and world building in "the Pine" and away from just creating individual pieces solely for the shoppes. After another wonderful holiday season that saw my shops pretty much depleted, I decided the New Year would be the best time to start anew.

So I have a very "big picture" idea for Bewilder and Pine. And for Shadow of the Sphinx,  I think it means just less undirected exploration and more focus on really refining the style I've created without allowing that shoppe to take away too much time doing projects that require a lot of planning or learning new techniques right now. And for My Antarctica? Well, I have not created any new digital art for four years but I DO have an idea for a series of very abstract future-scapes, rather sci-fi-ish, involving some of my miniature work and the watery-coloured backgrounds I love to combine digitally so much.

I'm planning to write at least two blog posts a month, one on the first of every month with new ideas, progress on the larger project of world building and sneak peeks at what's new and what's to come. One perhaps on the mid-month as well to just talk about what I am doing and where things are in a larger sense as well as telling more internal stories about how I got here..

I am changing the whole way I go about creating and listing for the shops, doing it in batches instead of a piece a day or so and this will also give people a chance to see ahead of release what is coming.

And I do, truly, want to talk a lot about the lifelong paracosm of my world. Why I created it, where it comes from, and why I strive so hard to keep as much of the "adult world" around us at bay and keep my inner world so simple and undisturbed by that outer and, in my opinion, equally illusionary world.

Here's one little story to leave you with:

My mother who is in her 80's just recently had her bathroom floor redone. With the exception of replacing the base carpet, this had not been done in over 50 years. When the workers were done installing the tile, she asked the one worker if the floor extended all the way under the heater (she is a real worrier about anything causing a fire!) and when he ran his hand under the baseboard heater to show her it had plenty of clearance, he knocked something over. . . and he pulled it out. . . and it was a tiny little model train figure. It must have been mine when I was a child and, likely, during one of my many world building endeavors around the house, I put it there at some point and never took it out again.

It has, essentially, been "standing guard" there for probably 35 years or so.

She had to call me right away to tell me and I was glad she did. That little piece of myself is something I strive to find in everything I make. And those earliest days of world-building are what I constantly wish to reclaim in my world, and in my daily life, with each new opportunity.

Now as I look around the studio, I see that it is filled with new pieces that stand guard just as that little figure has for all these years back home.

And, inside, all the memories and nostalgia of that time remain undisturbed.
Always on watch.
Always near.

So this year, in short, I plan to do more world building and less order fulfilling. :)

Tomorrow I will post the first monthly update and start redirecting people here from the shops. That post will be focused on the first of my ideas I am trying to finish and formulate for the year ahead. A little remote set of islands in the world I create called Kitsurada and the Legend of the Foxgoyles who protect and defend it's citizens.

I hope that it will provide a glimpse into the larger world I create and an inspiring poke into the possibility of the worlds, perhaps yet unbuilt, around and inside of YOU!

Wishing you all a very Happy New Year and a creative year ahead!
xo
nicolas

PS: As for custom work. . . in case one might get the impression that I do not enjoy it, here is something I made for a client this holiday season that I absolutely loved every moment of!

Enjoy and . . . BELIEVE!

It Was 20 Years Ago Today. . .

Give or take. . .

It was 1995. I was in my early 20's and I had, about 4 months earlier, moved my entire life across the country to the West Coast.

Though not the first, it was, easily, the largest reinvention I had ever undergone.

I brought little with me in that cross country trek in the old Chevy Corsica. My musical equipment, my basic necessities and just enough of everything else to get by til I got settled. But, as with any reinvention, I left so much behind for good.

Somewhere, tucked among the boxes, was at least one of the Calvin and Hobbes book of comics collections.

In November of 95, the strips creator, Bill Watterson, announced he was ending the daily. I remember being quite sad hearing that. Calvin and Hobbes had been the strip that I felt most connected to in my life. The often solitary boy and his stuffed tiger in his wonderful imaginary world. 

During the next 20 years, those comics would be a beacon to me. The more I tried to find my place in the adult world and struggled with my reluctance to let go of the threads of my own childhood that were such lifelines. . .

Recently I have read a few articles about Bill Watterson. One  a graduation commencement speech he had given years back and, another, a recent Washington Post article/interview about the Calvin and Hobbes strip.

This is from the commencement speech:

“Creating a life that reflects your values and satisfies your soul is a rare achievement. In a culture that relentlessly promotes avarice and excess as the good life, a person happy doing his own work is usually considered an eccentric, if not a subversive. Ambition is only understood if it’s to rise to the top of some imaginary ladder of success. Someone who takes an undemanding job because it affords him the time to pursue other interests and activities is considered a flake. A person who abandons a career in order to stay home and raise children is considered not to be living up to his potential — as if a job title and salary are the sole measure of human worth.

You’ll be told in a hundred ways, some subtle and some not, to keep climbing, and never be satisfied with where you are, who you are, and what you’re doing. There are a million ways to sell yourself out, and I guarantee you’ll hear about them. 

To invent your own life’s meaning is not easy, but it’s still allowed, and I think you’ll be happier for the trouble.”

Can I just say I adore Bill Watterson!

And there are two other things I'd like to say here and now.

Calvin and Hobbes continues to be that lifeline. Though now, after shedding that desire for an "important adult life" years back and fully embracing and returning to the imagination and paracosms of my youth,  it is an easy line to grasp. One of gratitude and simple acknowledgment.

A "thank you" of grand proportions from my beautiful world.

And two, that the Calvin and Hobbes strip, when I do indulge in it, is not a mere nostalgia trip. I still feel it's tug of emotion and possibility. I still believe that many people would look at my world as the "stuffed tiger". . . appearing still and lifeless on the outside. . . because you'd have to be inside to really understand the vibrant world within. That used to feel odd at times but, now, all these years later, I wouldn't trade it for anything. Ever. It's meant to be this way, if only to protect and preserve it.

And like other things I recall so clearly from childhood and throughout my life, I still see that final panel of that final strip. Calvin and Hobbes going off on their sled, heading down the hill, and the final words. . . "Let's go exploring."

It's winter many places. Maybe snowing. When it does, get out and see that world in it's newness and as the blank white page waiting to be written upon.

And explore!

(It's good to be back)

xo
nicolas

Leprechauns!

Had a commission recently to create this set of two Leprechauns, Sigge and Dilton, and the Codding Fox Public House for a client's first fairy garden! I would LOVE to move into more figure work and am pretty settled on this sort of size (3.5 to 4 inches) and composition. I do not know if I will ever get into making clothing from fabric but I do love creating these outfits made entirely of Polymer clay (hair made of wool roving).

Below the images I placed the little story that was included in the listing. . . of course, all my work HAS to have a story to inspire it. ;)

Thanks for looking and I hope the magic is flowing in your world. . .

nicolas

Sigge Fritch and Dilton Beedle are two of the many regulars who frequent The Codding Fox (est. 1813), which is a tiny little Pub in the back reaches of the Bewildering Pine. Here, among the tall spruce and cedar, a small colony of Leprechauns has dwelled for many, many years in Heathgrove, a tiny village found in the shadow of Aster's Keep, a long-abandoned castle once used before the closing of the time rift by the last remaining "Otherkind" in this world.

The Codding Fox (codding, in the language of the Leprechauns, means kidding or joking) is always a gathering place among the inhabitants and on any summer night, you might find almost everyone seated around the tables inside or on the benches outside enjoying a refreshing pint of their favorite tasty beverage and telling tales and yarns until the proprietor, Miss Delaney, kindly asks them to head home.

Now, not everyone in this village is particularly good with remembering their coin as they head out for the evening and so, every now and again, the tabs which Miss Delaney allows the locals to run in the Pub begin to mount. Kind soul that she is, Miss Delaney will never request payment or ever embarrass a patron who has not paid in several weeks. However, on occasion, when it's time to pay her own monthly bills, she will invite the tab-runners to come down to the Codding Fox for a special event. This, it turns out, is an evening of tale telling in which the winner is absolved of their debts and the rest are required to pay in full by weeks end.

Now, it must be said that, in truth, all the Leprechauns are quite able to pay their bill. Leprechauns do, after all, have a tendency to do well with gold and fortunes. . . but it is storytelling the Leprechauns deem their greatest asset and it is the desire of every Leprechaun to be the winner of just such a story contest. So, no matter how many tales they tell on a given night, the Leprechauns are careful to keep their very best tales for this sort of event.

The rules are simple. The tale told must be new and unheard before by all in attendance. It must be no longer than 4 minutes long (this rule is absolutely necessary if you have ever heard a gathering of Leprechauns tale-telling) and it must not involve the misfortune of anyone other than the teller of the tale. (The kindness rule Miss Delaney calls it)

Sigge and Dilton are two of the regulars of this event. Sigge, who is quite a few years older than Dilton, has won the event a handful of times while Dilton, still learning the finer points of timing and truth-stretching, is looking for his first win. This night, in the poses you find Sigge and Dilton in, the two friends are practicing their tales on each other before the contest begins.

All agree that the best part of these evenings is the round of new stories to be heard, many of which will be repeated again and again for travelers and newcomers to the Fox over the coming weeks and months, and the fact that all libations, on these nights are also on the house.

Needless to say, The Codding Fox and Miss Delaney are somewhat legendary among the Leprechauns and it s no surprise that this little Pub is often considered the finest establishment in any corner of the realm.

So the next time you are wandering north through Heathgrove on a summer's eve, stop by for a dish of Miss Delaneys hand-cranked Brambleberry ice-cream, a dish of traditional Colcannon or a Pale Lucky Clover Ale and let the stories of your table mates and hosts whisk you away and, once the evening is over, may they stay with you now and for ever more.