In the postcard, the old man is stands along the edge of a rough and stony shore
It's on an inlet or a bay perhaps
A wooden fishing skiff sits at the water's edge
Weathered and worn as the man
The scene around him is vivid and raw
Stones reach to the sky, jutting from the water
Their outlines worn and shaped by the ever present forces of time
The obvious natural beauty of the scene is not the essence of the image though
To me, the draw to it is something more
The man in the postcard belongs
This land is clearly as much a part of him
And he is of it
There is so much talk in our country of seeking in a spiritual context
And it occurs to me now that perhaps what is missing is not the lack of community or of a faith
Not the lack of belonging to an organization or a lineage
But the lack of belonging to a place
To a landscape
But instead, here, people flock in droves to the same urban bone yards
And what their spirit seeks is never going to be found there
We've leveled and scorched that landscape
We've built above and through it's heart
We've left ghosts and shadows on this bloated vista
Inhabited by empty souls
Dead weight
Our place can't be found among the hordes and the groups born of so called common interest
That is not what we are bound to connect with in this life
We have created that purpose in our mind
To stave off the constant hunger
Just as we have created so many other distractions
So many other false starts
But maybe you have felt it stirring inside of you
Along a weekend country drive
Or at the water's edge
Across a plain or a plateau
In the forest or the sea
Just a moment perhaps, when everything you deem your life was left behind
When it all disappeared into a dream
And the place filled you
Consumed you
Recognized you
As you seemed to recognize the place
What lie did you tell your heart then?
Often, in the end, we let all our superficial needs pull to the bone yards again
How would we live without our pleasured distraction?
How would we live without our tribe and causes?
How would we live without ambitions and status?
How would we survive?
The answers is
If you truly listened
Heard the landscape
Opened to that spirit
You might actually find yourself
You might actually find that you ARE alive there
You might just. . .
One day I hope to be the old man in a postcard
In the right place
A part of the landscape somebody captures
Whatever the background
Wheteher a storm is coming
Whether it is dusk or dawn
Whether it is sea or sage
I want to look, not like an awkward visitor
Not like a stranger
I want to look
As if I too
Belonged
nicolas hall 2012
Sunday, July 8, 2012
Monday, July 2, 2012
Poem and Visual Art: Theory of Flight
Featured image in my Etsy Shop : My Antarctica (link in the margin to the right)
Theory of Flight"
It's not necessary to hold tight to this so-called reality
The mystery does not always need to have answers
Science is lacking in it's charms anyway
Knowing too much is always a weight upon the soul
Once, we drew the plans for airships and
Mythic, winged creatures filled the margins of our notebooks
The red, vertical line a boundary no one dared to cross
We dreamed and doodled every possibility
We were better for that innocence
We were
Better
And now we look back at those same, red lines
Standing here on what is supposed to be the usable part of the life "page"
A page we fill with urgency and to-do lists
We fill with hellos and goodbyes
We fill with budgets and breakdowns
We've forgotten how to hold on to a dream
We've forgotten the way back
We've forgotten and we've grounded
All of these
Mythic
Impossible
Winged
Dreams~
nicolas hall 2010
Theory of Flight"
It's not necessary to hold tight to this so-called reality
The mystery does not always need to have answers
Science is lacking in it's charms anyway
Knowing too much is always a weight upon the soul
Once, we drew the plans for airships and
Mythic, winged creatures filled the margins of our notebooks
The red, vertical line a boundary no one dared to cross
We dreamed and doodled every possibility
We were better for that innocence
We were
Better
And now we look back at those same, red lines
Standing here on what is supposed to be the usable part of the life "page"
A page we fill with urgency and to-do lists
We fill with hellos and goodbyes
We fill with budgets and breakdowns
We've forgotten how to hold on to a dream
We've forgotten the way back
We've forgotten and we've grounded
All of these
Mythic
Impossible
Winged
Dreams~
nicolas hall 2010
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Thursday, June 14, 2012
Squeezing Through the Neck - Poem
Two blocks below
The bay pushes gently over stony shores
Marking cycles of time
As the fleet of fishing boats crawls in and out of their berths in a similar, constant rhythm
Five blocks above
The range of mountains rises sharply,
Standing still against time
Clouds hang there
Snatched upon the pines and pulled over the ridge,
Closing the roof around this little town
We are scattered along 12 or so odd blocks between
People pass through, squeezing through this bottleneck of a town
Pushed between the bay and the mountains
They must feel constrained with the long narrow passage
It must feel like choking on the palpable lack of motion
It must be why they never
Stop
We chose to stop here
To stay here
Settling into the midst of the neck
Between bay and mountain
Where the lack of
The less of
Doesn't choke us
Here, we swallow
And every morsel of this life
Tastes so sweet
~nicolas hall 2012
The bay pushes gently over stony shores
Marking cycles of time
As the fleet of fishing boats crawls in and out of their berths in a similar, constant rhythm
Five blocks above
The range of mountains rises sharply,
Standing still against time
Clouds hang there
Snatched upon the pines and pulled over the ridge,
Closing the roof around this little town
We are scattered along 12 or so odd blocks between
People pass through, squeezing through this bottleneck of a town
Pushed between the bay and the mountains
They must feel constrained with the long narrow passage
It must feel like choking on the palpable lack of motion
It must be why they never
Stop
We chose to stop here
To stay here
Settling into the midst of the neck
Between bay and mountain
Where the lack of
The less of
Doesn't choke us
Here, we swallow
And every morsel of this life
Tastes so sweet
~nicolas hall 2012
Friday, June 8, 2012
Second Skin
"You mean you don't want any of them?" my mother asks, at least semi annually.
She has taken out the shoebox of old photos and cards again.
A semi annual ritual though not one in accord with any changing of seasons or certain anniversaries.
"No, none. . . thank you." I respond
Semi annually
I have never been one for the taking of or keeping of photographs.
As long as I can remember, I never found myself wanting to look into polaroid frames of the past.
At least not ot when the image I would be looking at was myself
This is not a preference derived from avoiding shadows
I had a most wonderful childhood
The images my mother keeps are, I know, happy and light
A family history unstained
She keeps them, I have supposed, to quell her age-old fears that she was the reason I moved far away
That she was somehow a faulty mother
It's much simpler than that though
I do not want to look into those eyes staring from the box.
My eyes
At ten
At thirteen
At fifteen
I am afraid of what I might see there
I am afraid of the sign of a secret separation
While others often keep photographs as markers of their youth and pull them out, or up, to remind themselves of what once was, or what could have been, I tend to walk side by side with my past
Always keeping close to that boy
Of ten
Of thirteen
Of fifteen
He is with me in every way
As much a part of me now as then.
So close that
Sometimes I think of him as a second skin
And I know it can be so easy
To dissolve that part of ourselves into a living, time-line memory
Instead of doing away with the apparitions of adulthood
The ones which keep us stacked in the cardboard shoe boxes
Filed under "Yesterday"
While we struggle daily
Just to breathe and
To find a way home
Again
nicolas hall - 2012
She has taken out the shoebox of old photos and cards again.
A semi annual ritual though not one in accord with any changing of seasons or certain anniversaries.
"No, none. . . thank you." I respond
Semi annually
I have never been one for the taking of or keeping of photographs.
As long as I can remember, I never found myself wanting to look into polaroid frames of the past.
At least not ot when the image I would be looking at was myself
This is not a preference derived from avoiding shadows
I had a most wonderful childhood
The images my mother keeps are, I know, happy and light
A family history unstained
She keeps them, I have supposed, to quell her age-old fears that she was the reason I moved far away
That she was somehow a faulty mother
It's much simpler than that though
I do not want to look into those eyes staring from the box.
My eyes
At ten
At thirteen
At fifteen
I am afraid of what I might see there
I am afraid of the sign of a secret separation
While others often keep photographs as markers of their youth and pull them out, or up, to remind themselves of what once was, or what could have been, I tend to walk side by side with my past
Always keeping close to that boy
Of ten
Of thirteen
Of fifteen
He is with me in every way
As much a part of me now as then.
So close that
Sometimes I think of him as a second skin
And I know it can be so easy
To dissolve that part of ourselves into a living, time-line memory
Instead of doing away with the apparitions of adulthood
The ones which keep us stacked in the cardboard shoe boxes
Filed under "Yesterday"
While we struggle daily
Just to breathe and
To find a way home
Again
nicolas hall - 2012
Friday, May 18, 2012
Death Knell For Another Coastal Community
I read this in a small coastal business paper today.
"The creative class of people is one of the signs of an emerging area. Then rich people are attracted to that gritty feel."
I felt immediately ill. . .
As I reflect on it, my gut feeling is that this story, played out in community after community, is killing this country faster than anything else I see on the near horizon.
It is also in great part why I removed myself from the hipster haven of Portland to the small, blue collar fishing village I now call home. One with no room for pretentiousness or attitude. It is the antithesis of a town like the one described in that quote. One that will never likely turn itself out for the quick fix of the "revitalization" and "progress" that others have sold the soul of their own towns for.
Goodbye Astoria. . . I'll remember you as you were while the wave of hipster attitude quickly erodes your unique landscape and charm and tramples your historic soul, I wish you peace.
Thursday, May 10, 2012
Summer Shadows - Poem
To be given the task at 11 or 12
Of filling the gas tank of the old lawnmower
As the warm July sun dropped its late shadows across the oil field
Or to pull the wet leaves from a gutter catch 10 feet off the ground
Or to clean the paint brushes in an old Folgers can filled with turpentine
All under watchful, trusting and loving eyes
It's these little things I miss
The devil is in the details they say
But so then are the angels
And I hope I am as surrounded by them on my last days
As I am today
The memories we've stashed away
Between those long, heroic summer shadows
Often reach back for us
A beacon for the seasons ahead
~nicolas hall 2012
Of filling the gas tank of the old lawnmower
As the warm July sun dropped its late shadows across the oil field
Or to pull the wet leaves from a gutter catch 10 feet off the ground
Or to clean the paint brushes in an old Folgers can filled with turpentine
All under watchful, trusting and loving eyes
It's these little things I miss
The devil is in the details they say
But so then are the angels
And I hope I am as surrounded by them on my last days
As I am today
The memories we've stashed away
Between those long, heroic summer shadows
Often reach back for us
A beacon for the seasons ahead
~nicolas hall 2012
Saturday, May 5, 2012
Crossroads
A few months ago I left the city to return to the Oregon Coast. Leaving the spiraling, urban sprawl of 600,000 for a quiet fishing village of 900. The return to a simpler place and a less frantic pace has allowed me to breathe for what seems like the first time in years.
I return to the city twice a month, for now, to help out at the coffeehouse I used to own. I work two shifts in a little more than 24 hours and I get to see many people who were part of my daily routine over the previous 10 years.
I am asked time and again "Do you miss it?" and the answer, without hesitation is "No."
Now, I left the urban sprawl and static once before, years ago. And, after five years in a similar small town, I felt I had to get back to where things were "happening".
So what is different this time? Most people would tend to put it down to little more than the fact that I am 10 years older?
In retrospect, I think it is simply that I realize the site of the crossroads when I am at them now.
In any lifetime, I believe we come to those crossroads again and again.
Many times over actually.
Some large and some small
Some almost daily.
But all of them are marked by choices we make or have to make and then, by the directions we turn. Often we do not turn. We just plow ahead with no acknowledgment that we are even passing through one or slowing to think about where the other road might lead.
We think that the slick, well paved highway we are on must lead to a better place than that little dusty road that transects it. But that well paved road was once just dirt and gravel too.
When I return to the city, I walk about 25 minutes from the train station to the coffeehouse. Crossing through downtown and then across the river into the old industrial SE area of the city. I pass by hundreds of people going about their day. Some walking firmly with each step a foot-fallen vow to "make it" and some stumbling along just barely making it.
And I fee l this hanging, smoldering presence pressing down on so many of those I pass.
They've all reached the crossroads in life too.
Many did not think to slow down at all.
Most did not turn.
They just kept on going.
They made choices at each crossing whether they know it or not
And they are living out the result and destination of their choices.
Yes, it gets harder to go back each time
I am grateful to have seen the signs
To have known when the time was right
And to have turned down this little dusty road where few would think to turn
Off of the fast track
Leading to a place where I belong
Where I can slow down
And now
Thrive
-nicolas hall
I return to the city twice a month, for now, to help out at the coffeehouse I used to own. I work two shifts in a little more than 24 hours and I get to see many people who were part of my daily routine over the previous 10 years.
I am asked time and again "Do you miss it?" and the answer, without hesitation is "No."
Now, I left the urban sprawl and static once before, years ago. And, after five years in a similar small town, I felt I had to get back to where things were "happening".
So what is different this time? Most people would tend to put it down to little more than the fact that I am 10 years older?
In retrospect, I think it is simply that I realize the site of the crossroads when I am at them now.
In any lifetime, I believe we come to those crossroads again and again.
Many times over actually.
Some large and some small
Some almost daily.
But all of them are marked by choices we make or have to make and then, by the directions we turn. Often we do not turn. We just plow ahead with no acknowledgment that we are even passing through one or slowing to think about where the other road might lead.
We think that the slick, well paved highway we are on must lead to a better place than that little dusty road that transects it. But that well paved road was once just dirt and gravel too.
When I return to the city, I walk about 25 minutes from the train station to the coffeehouse. Crossing through downtown and then across the river into the old industrial SE area of the city. I pass by hundreds of people going about their day. Some walking firmly with each step a foot-fallen vow to "make it" and some stumbling along just barely making it.
And I fee l this hanging, smoldering presence pressing down on so many of those I pass.
They've all reached the crossroads in life too.
Many did not think to slow down at all.
Most did not turn.
They just kept on going.
They made choices at each crossing whether they know it or not
And they are living out the result and destination of their choices.
Yes, it gets harder to go back each time
I am grateful to have seen the signs
To have known when the time was right
And to have turned down this little dusty road where few would think to turn
Off of the fast track
Leading to a place where I belong
Where I can slow down
And now
Thrive
-nicolas hall
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